In the Headlines

Sinners is a film that reveals more each time you watch it. This breakdown explores how its performances, music, and storytelling work together to examine identity, grief, and power. It also looks at why the film resonated so strongly and what its absence from Best Picture says about how films are judged, especially when they confront power directly. This is a clear, accessible analysis of why Sinners will continue to be discussed long after award season ends.

For many years, the phrase “people of color” was used as though it described a unified political community. The idea carried an intuitive appeal. Different racial and ethnic groups had experienced discrimination in different ways, and many had participated in overlapping civil rights struggles. It seemed reasonable to assume that those shared experiences would translate into shared political priorities.

Black women’s transition out of domestic labor in the mid-20th century was driven by civil rights enforcement and expanded access to public sector employment. Government jobs provided standardized wages and anti-discrimination protections that private domestic work lacked. Today, rising unemployment and declining federal employment raise concerns about shrinking institutional pathways and the long-term impact of weakened labor protections on economic mobility.

Langston Hughes wrote, “Fascism is a new name for the terror the Negro has always faced in America.” That line is often quoted, rarely examined, and almost never taken seriously enough. Hughes was not arguing that America suddenly became fascist. He was pointing out that Black Americans recognized the structure immediately because they had already lived under it.

White America’s sudden fixation on Nazi Germany whenever state violence becomes visible is revealing. When ICE raids intensified under Trump, many white Americans reached immediately for comparisons to 1930s Germany. They didn’t reach for enslavement. They didn’t reach for the Ku Klux Klan. They didn’t reach for Jim Crow. They didn’t reach for Native removal or Japanese internment.

The Justice Department has taken a direct swing at the Civil Rights Act and made no effort to hide its intention or its timing. Overnight, without public comment, it eliminated disparate impact analysis. That single move guts one of the most important tools we have to identify systemic discrimination when no one is reckless enough to admit it.

The idea of broken windows policing has erupted into discussions across the country. This policing strategy, which began gaining traction in the late 1970s and was popularized in the 1990s, aimed to address minor offenses to prevent more serious crimes. However, as we examine the current state of broken windows policing, it is evident that its consequences are significant and often harmful.

The Congressional Black Caucus (CBC) has recently made headlines with its response to the Charlie Kirk resolution.

Public memory isn’t just about what we remember; it’s also about what we’re told to forget. Right now, in America, government officials are quietly removing critical evidence of slavery, racial violence, and resistance from our parks and classrooms. This leads to a future where justice is disconnected from truth, and “patriotism” is used to excuse this erasure.

Demartravion “Trey” Reed, a 21-year-old student, was found hanging on the campus of Delta State University, a devastating event that has sent shockwaves through his community. In the immediate aftermath, officials announced, “no foul play suspected.”

In 2025, the Pentagon shocked the nation by announcing it would restore a massive portrait of Confederate General Robert E. Lee to the West Point library. This nearly 20-foot tall portrait shows Lee on horseback, with a Black enslaved man holding the reins.

Recently, Jillian Michaels stirred significant debate with her remarks about white supremacy and her troubling claim regarding what she calls "Black degeneracy." Although she claims to convey honesty, her words reflect a long-standing harmful narrative that shifts blame from systemic oppression to the very people facing it.

Washington, D.C. has been a centerpiece of federal intervention for many years, often seen as a necessary measure in times of crisis. However, the stories surrounding these interventions are far more complex than they might seem at first.

In December 2023, a monument notorious for its offensive imagery was removed from Arlington National Cemetery. This 32-foot bronze statue, laden with Lost Cause symbolism, depicted smiling enslaved individuals and celebrated Confederate heroes, all while suggesting the South fought nobly for freedom through a Latin inscription.

The sudden passing of Malcolm-Jamal Warner has left a profound void in the hearts of many, especially those who grew up watching him portray Theo Huxtable on "The Cosby Show."

The recent release of over 230,000 pages of documents related to Martin Luther King Jr.'s assassination has ignited conversations about transparency, justice, and government narratives.

Critical Race Theory (CRT) has become a significant topic of discussion, igniting passionate debates and legislative actions across the United States in recent years. But what exactly is CRT, and why do some people view it as a threat?

We examine a troubling decision from the Pentagon's Defense Intelligence Agency to pause all activities related to Black History Month and o