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For many years, the phrase “people of color” was used as though it described a unified political community. The idea carried an intuitive appeal. Different racial and ethnic groups had experienced discrimination in different ways, and many had participated in overlapping civil rights struggles. It seemed reasonable to assume that those shared experiences would translate into shared political priorities.

The story many Americans inherited about the Confederacy is tidy and also deeply misleading. It frames the Civil War as a tragic misunderstanding rooted in honor or regional pride, casting the Confederacy as a defender of a way of life rather than slavery.

For decades, the deaths of formerly enslaved people at the Devil’s Punchbowl were explained away as misfortune. The story suggested chaos after emancipation, people wandering into unsafe conditions, disease spreading naturally. No one was responsible. That framing isn’t neutral. It shifts blame onto the dead and turns mass death into an unfortunate accident rather than the result of policy.

The image of the cowboy that dominates American culture is not a true reflection of history. It is the product of selective storytelling that has erased the significant role Black cowboys played in shaping the West. After emancipation, Black men made up about 25 percent of the western cattle workforce. Their contributions went far beyond the common stereotypes, shaping the ranching industry and the culture of the American frontier.

On May 31 and June 1, 1921, white mobs invaded Greenwood, one of the most successful Black districts in the country. Police disarmed Black residents defending their homes while deputizing attackers. Airplanes dropped incendiaries. Entire city blocks burned. More than 1,200 homes and businesses were destroyed. As many as 300 Black people were killed. Thousands were left homeless. No one was held accountable.

In 1781, a British slave ship named the Zong threw more than one hundred and thirty enslaved Africans into the Atlantic Ocean. This was not an accident or a tragedy of the sea. It was a calculated decision made by the crew to preserve their water supply, but more importantly, to protect their financial interests.

The Congressional Black Caucus (CBC) has recently made headlines with its response to the Charlie Kirk resolution.

Kentucky's prison system has transformed into a powerhouse of economic activity, generating billions from the labor of incarcerated individuals. This troubling trend echoes the history of convict leasing, which arose after the Civil War and represents a dark chapter in which the freedom of Black people was taken, repackaged, and exploited for profit.

The War on Drugs is often presented as a necessary measure for public safety. However, its legacy uncovers a troubling reality. What began as a campaign against drug use has morphed into a war on communities, particularly those of Black and Brown individuals.

In 2025, the Pentagon shocked the nation by announcing it would restore a massive portrait of Confederate General Robert E. Lee to the West Point library. This nearly 20-foot tall portrait shows Lee on horseback, with a Black enslaved man holding the reins.

Recently, Jillian Michaels stirred significant debate with her remarks about white supremacy and her troubling claim regarding what she calls "Black degeneracy." Although she claims to convey honesty, her words reflect a long-standing harmful narrative that shifts blame from systemic oppression to the very people facing it.

The Servicemen’s Readjustment Act of 1944, commonly known as the GI Bill, is frequently celebrated as a game-changer in American history. By providing returning World War II veterans with key benefits such as higher education, low-interest home loans, and job training, it played a vital role in expanding the American middle class. Yet, this promise was not shared equally among all veterans. Black veterans faced significant barriers that denied them the full benefits of the GI

In December 2023, a monument notorious for its offensive imagery was removed from Arlington National Cemetery. This 32-foot bronze statue, laden with Lost Cause symbolism, depicted smiling enslaved individuals and celebrated Confederate heroes, all while suggesting the South fought nobly for freedom through a Latin inscription.